William Hootkins
8 Films
William Hootkins
8 Included Films

William Michael Hootkins was born on July 5, 1948, in Dallas, Texas. He moved to London, England in the early '70s and lived there up until 2002. Hootkins was an actor at Theatre Intime while attending Princeton University where he learned how to speak fluent Mandarin Chinese. He also trained as an actor at the London Academy of Music and Dramatic Arts, and attended St. Marks, where he was in the same theater group as Tommy Lee Jones. The imposingly bulky and heavyset Hootkins first began acting in films and TV shows alike in the mid '70s. His more noteworthy parts include the first of the Rebel fighter pilots to get killed while attacking the Death Star in "Star Wars", scientist Topol's bumbling oaf assistant in "Flash Gordon", Major Eaton, sent by the US government in "Raiders of the Lost Ark", one of Rod Steiger's demented sons in "American Gothic", a corrupt police lieutenant in "Batman", a disgusting sleazy voyeur in "Hardware", a coarse South African police chief in "Dust Devil", the mysterious and duplicitous Mr. X in "Hear My Song", a haughty corporate executive in "Death Machine", Santa Claus in "Like Father, Like Santa", and an opera-singing vampire in "The Breed". Moreover, Hootkins had small parts in two "Pink Panther" pictures: he's a taxi driver in both "The Trail of the Pink Panther" and "Curse of the Pink Panther". Among the TV shows he did guest spots on are "Yanks Go Home", "Agony", "Play for Today", "Tales of the Unexpected", "The Life and Times of David Lloyd George", "Brett Maverick", "Cagney and Lacey", "Taxi", "Hammer House of Mystery and Suspense", "Poirot", "Chancer", "The Young Indiana Jones Chronicles", "The Tomorrow People", "The West Wing", and "Absolute Power". Hootkins received many accolades for his outstanding performance as Sir Alfred Hitchcock in Terry Johnson's hit play "Hitchcock Blonde". In addition to his substantial film and TV credits, Hootkins was also a popular and prolific voice artist who recorded dozens of plays for BBC Radio Drama; he supplied the voices for such iconic individuals as Orson Welles, J. Edgar Hoover, and Winston Churchill. William Hootkins died of pancreatic cancer on October 23, 2005. IMDb Mini Biography

Director: George Lucas
OG: "4K77" on high seas
OG: "4K77" on high seas
LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.

Director: George Lucas
OG: "4K77" on high seas
OG: "4K77" on high seas
LaserDisc audio is the best option for the Dolby Stereo mixes (and usually included in fan restorations). There are 16mm/TV rips of the mono mixes.

Director: Mike Hodges
NOT the 4K Blu-ray, laserdisc maybe better?
OOP Arrow LE has a bonus disc

Director: Mike Hodges
NOT the 4K Blu-ray, laserdisc maybe better?
OOP Arrow LE has a bonus disc



Shout Factory uses MGM's HD master and mono mix which sounds similar to their 2004 DVD mono. They sound nearly identical aside from volume differences-except that the sound effects seem a bit flattened again on the DVD and this Blu-ray mono mastering seems to be EQ'd a bit differently.

Shout Factory uses MGM's HD master and mono mix which sounds similar to their 2004 DVD mono. They sound nearly identical aside from volume differences-except that the sound effects seem a bit flattened again on the DVD and this Blu-ray mono mastering seems to be EQ'd a bit differently.



Director: Tim Burton
WB 4K Blu-ray but with notable color timing issues
Dolby Stereo mix: WB LaserDisc PCM
Original Mix in 5.1 Discrete: 1997 WB DVD, 1.33:1 version for this track uncut
Original mix in 2005 5.1 new transfer: 2005 WB DVD in Dolby and DTS, 2008 WB Blu-ray for TrueHD.
Original mix on VHS, LaserDisc and DVD is significantly warmer and more impactful sounding. These nuances are lost on the 2005 remaster audio found on DVD and Blu-ray which due have a tinge of extra clarity in contrast.
The Atmos mix is excruciatingly bad as it removes original sound effects and wrecks the original sound design. Music is prioritized and dominates in a bad way. The sound library effects used to create a specific sound signature as part of the mix of time period production design is completely lost. Fidelity is also lowered due to noise reduction and processing.

Director: Tim Burton
WB 4K Blu-ray but with notable color timing issues
Dolby Stereo mix: WB LaserDisc PCM
Original Mix in 5.1 Discrete: 1997 WB DVD, 1.33:1 version for this track uncut
Original mix in 2005 5.1 new transfer: 2005 WB DVD in Dolby and DTS, 2008 WB Blu-ray for TrueHD.
Original mix on VHS, LaserDisc and DVD is significantly warmer and more impactful sounding. These nuances are lost on the 2005 remaster audio found on DVD and Blu-ray which due have a tinge of extra clarity in contrast.
The Atmos mix is excruciatingly bad as it removes original sound effects and wrecks the original sound design. Music is prioritized and dominates in a bad way. The sound library effects used to create a specific sound signature as part of the mix of time period production design is completely lost. Fidelity is also lowered due to noise reduction and processing.

Director: Richard Stanley
Kino Lorber 4K Blu-ray upcoming in the US
Umbrella Australia 4K Blu-ray, encoded by Fidelity in Motion
The best source for the Original Stereo is found on the 2018 Ronin Flix US Blu-ray. The 2.0 on the 4K Blu-ray is a downmix.

Director: Richard Stanley
Kino Lorber 4K Blu-ray upcoming in the US
Umbrella Australia 4K Blu-ray, encoded by Fidelity in Motion
The best source for the Original Stereo is found on the 2018 Ronin Flix US Blu-ray. The 2.0 on the 4K Blu-ray is a downmix.

Director: Richard Stanley
Australia Umbrella 4K Blu-ray > US Kino Lorber 4K Blu-ray
The US/Theatrical Cut on the Kino Lorber 4K Blu-ray is AI upscaled and has DNR, along with Kino Lorber's usual poor compression. Director's Cut looks better but still has poor compression: https://forum.blu-ray.com/showpost.php?p=23601894&postcount=225 The Umbrella with its FiM encode looks "blurrier" because Kino's encode filtered the grain away.

Director: Richard Stanley
Australia Umbrella 4K Blu-ray > US Kino Lorber 4K Blu-ray
The US/Theatrical Cut on the Kino Lorber 4K Blu-ray is AI upscaled and has DNR, along with Kino Lorber's usual poor compression. Director's Cut looks better but still has poor compression: https://forum.blu-ray.com/showpost.php?p=23601894&postcount=225 The Umbrella with its FiM encode looks "blurrier" because Kino's encode filtered the grain away.
8 films